once you submit yourself to this, there will be no turning back. submissions originated as an offshoot of planet rhythm and takes things to a slightly deeper level. the label has produced a large number of talented producers and has stayed true to its original sound ever since. dj ogi (beast music, planet rhythm, patterns, compressed) takes on patrick dsp from iran. this promising techno head now resides in toronto and is building his career as a jock / producer with steady pass! his last outing on fine audio expanded his ever growing fan base and the submissions will make some more heads turn for sure!

the 2007 mircocosm recods logo shirt ... nice sound nice shirt

greenhouse is back in full swing with this 4 track monster. win for life is a funky driving bass, skippy beats, subtle pads and stabs, saa solo & urban sound fx track. cant knock it features tasty sax licks, smooth chords, head nodding bass, sound fx, tight beats and summertime nyc playground crowd noise. anyos win for life rmx: solid beats and percussion, filtered sax, deep bass and cool vocal elements. something for the the likes of jason hodges, mark farina and dj heather. rounding off the ep is john larners win for life remix. a deeper house joint with plenty of jazz & funk, tasty stabs, skippy beats and hats, featuring tasty rhodes licks, a variety of vocal elements and deep bass.

probably the biggest dancetunes for maripoza this year! the opener >a little bird forever< is a huge dreamy melody monster. the recipe of this smasher is the sophisticated arrangement and the amazing hookline of a warm bass. listening spots is a sound from another galaxy with a lightly deepness.. thats all u have to say about it. so maripoza grows with this two tracker to everyones favourite label

4 kenzo allstars vol 2 feat label boss mastiksoul and monoman. on the aside portugals rui da silva delivers a deep minimal tech remix of mastiksouls new sound generator. flip for the original new sound generator a groovy acidic techhouse bomb, and monomans killer techhouse track the autobot. a must have

a1: bando, label owner strikes back with palo cero palo characteristic tune of his new sound , soft techno sequences over an electronic base rhythm with breaks for the dancefloor that others would define as hi tech. b1: tim baker. chicago based label owner of elephanthaus and realestate, 20 years djing and more than 10 producing for labels like ovum, nova mute and his owns. creeper has a chord sound that reminds to the classic basic channel / maurizio but with his own imprint, same style of his last release misconceptions of the misunderstood. b2: leandro gámez. dont break my heart is a minimal-tech track with vocals in the line of his last release me implica on circle music.

reboot (below & künftiger cadenza artist) mit einem eher ruhigeren remix, das original ist aber typisch luciano / villalobos sound !!! sehr fett !!! support von der rumänen posse um raresh / rhadoo / petre inspirescu....

check track 4 >> a massive carl craig rmx!!!! original versions are aken from the massively acclaimed and already touted by many as an album of the year >sound of silver<. with its emotive refrain and rhythmic precision >someone great< was recognized critically as an album standout and has become a key part of their live set. its release is backed by a spectacular array of new and exclusive mixes of other s.o.s standouts in the form soulwax (>get innocuous<), carl craig (>sound of silver<), sorcerer (>us v them<) and gucci sound system (>time to get away<). award winning artist/ filmmaker doug aitken is currently shooting an experimental short film for >someone great.< doug aitkens work has been exhibited extensively at museums and festivals throughout europe and the u.s. his most recent work, >sleepwalkers< , was commissioned by moma

on this ep is wills exclusive new track 3000 ad and a wahoo remix of one of wills most beautiful tracks from the simple back catalogue. on 3000ad lush, inviting pads drift around the stereo pallet before clicks and bleeps introduce the undulating rhythm of the track. as the resonance of the bassline is opened out to a pulsating crescendo, the haunting atmospherics build in intensity. introspective chords chime around the warped robot voices, creating the soulful yet deeply futuristic sound that characterize will’s productions. for the wahoo remix of mbira who better to choose than the head of wills favorite label (innervisions) for the remix of one of wills best known tracks. dixon keeps the melodies of the original and lends a live and driving percussive feel that his label has become renowned for. his epic arrangement causes maximum dance floor devastation as first strings then stabs are introduced to push the track to its climax. wahoo is the berlin based duo of georg levin & dixon. they have just released their album take it personal on fine records. together they have been busy putting the soul back into house music sin

mark henning is back with a release on played by mike monday, paco osuna, karotte, tom clark, markus kafka, mike shannon, jeremy p.caulfield, seph !! einmaleins musik and the label is happy to have marks funkyness pressed on vinyl! a side track is rich of sounds, funky n groovy, changing all the time and giving life at the dancefloor. b side track is a more stripped down techno track with voices and background sounds that make a adventure sound landscape!the track keeps evolving and get the funk back in after the second half of it!special different release just like mark knows to do

asad rizvi delivers a deep, minimal stormer. sound republic deliver a wicked rework that has their signature bag of jackin jazzy funk

the three german producers and djs thomas gold, chriss ortega and chris montana teamed up to found their very own recordlabel s2g. after releasing tracks on renowned labels such as cr2, ministry of sound, positiva, vendetta, cyber, houseworks etc… it was time to found an own basis. includes remixes by chriss ortega & thomas gold and chris montana (caballero / haiti groove)

the naples scene has been very influential for the modern day sound of techno music. players like marco carola, danilo vigorito and davide squillace are know for their innovative input and forward thinking sound. so is markantonio who is in charge of analytic trail and mkt. this last imprint comes with the best productions of the labelboss himself and has a very open minded character. you will find top notch mixtures of house, minimal and the trademark napoli sound here

bloodfire (aka daz-i-kue from bugz in the attic) is probably one of the hottest producers right now. even though we re usually dead tired of bootys with jay z and beyonce this was so good there was no way we could let this one slip. trust us, the ladies will shake their b hinds to this big time and if this release dont go down nothing will! hollywood comes in two versions, the vocal mix is a straight up party broken beat/r&b cut while the flip is a raw 4/4 mix perfect for your dark basement sound systems

incl rmx by alexander maier (buzzin fly) !! welcome to hypercolour 005, where we re proud to present malyasias foremost purveyor of deep electronic house, frankie flowerz. a resident in berlin since 1998, his smart, slick grooves have already created a stir on labels like crosstown rebels, funkhaus, and mood, and with forthcoming releases on tigas mighty turbo planned, his sound looks set to be spread further afield than ever over the coming months.

infectious tribal infected proggy house 4 tracker - incl joy marquez & jay montez remix

brooklyns stefny offers her first solo ep for the addon imprint. a dj for the past decade, stefny has recorded a few co-productions (lucylee/sodium) along side nick chacona and is staple in the nyc underground scene. this ep showcases a unique sound built upon her dj experience and personal sound development. >a fix< is not your typical 4 on the 4 groover. a special kick treatment is exposed before the falling bassline appears. a magnetic pulse hits sharply between the perfectly placed fast edits and zips. the warm and fuzzy >radiolaria< begins the flip side. soft bass tones battle for space in the mix creating a groove that instantly bounces. dubbed out it continues along the path straight to the dancefloor. >wellig< is filled with a sustained anticipation. sharp beats, flanged percussion bits carry before a pulsing bassline and kraftwerk-esq synth stab rise. energy for the late night

kdo records is a new french label from marseille. for the first ep, they done a electro techno texture like the track pastic addict. both tracks are simple like all tracks should be in this kind of sound, ever supported by francesco farfa, jack de marseile & more

after the hypnotic ethereal sound of stream of consciousness and the rootsy down home feeling of the nakusanga ep, an underground buzz began about what would come next from the bu mako label. the fragments ep establishes jenifa mayanja as a serious artist unafraid of pushing boundaries, branching into the unexpected, quietly seducing the listener without beating down the senses into submission. while jenifa mayanja makes no declaration as to what genre she may be classified into, the music has no problem resting comfortably between deep house, future jazz, downtempo, detroit tech and electronica.

ashley beedle and new studio partner mark ralph pay homage to the sound of munich disco and legendary producer giorgio moroder with an absolute corker of an ep!

phat hard driven industrial power schranz tracks by croatia based producers dj ogi and jason little

check out the new record from new environ act baby oliver! more hot and twisted tracks for disco jackers and neurotic nu-romantics…you dont want to miss it. baby olivers debut >primetime / hypochondriac< was an underground smash hit, gaining noteriety in sets by the finest djs from disco (metro area, prins thomas) to house/techno (praise from carl craig) and indie floors (junior boys, optimo). and its no wonder - like the best club music, baby olivers jams slice across genre divides and sound like nothing else coming out

played by: martinez, 2000 and one,tadeo, stare5, jeff samuel, karotte, matt star, x-pansul. cray1labworks have arrived to their tenth release. to celebrate, they have chosen none other than the copenhagen based theodor zox. thick, liquid bases spread over theodor zoxs >whats in a number<. the blips and crackles playfully dance around the base line while the main melody slowly comes into shape, creating a delicious danceable song strolling between minimal and sweet old school techno touches, following the path that cray1labworks have always laid. the volatile sound of >whats in a number< is overshadowed by the strong, mysterious, seductive synths of the minimal tech >feed me lies<. a song thatll make the ladies sway their hips on the dancefloor

right after the slowenian takeover with umeks last offering, huntemann graces his confused label alongside his production partner andre walter. crs on the aside is a very hypnotic and stripped down journey thru time and space with killer arpeggios, impressive sound-spheres and a very basic and irresistible rhythm. drp on the flipside is a bit deeper with house trenched drums, a monstrous bass-sound preaching evil to all mankind and tight synthesizer stabs.

big with: john acquaviva, ivan smagghe, umek, mark knight, mason, stephan bodzin, rui da silva, johnathan ulysses, tomcraft, moonbootica, dj delicious, namito, zoo brazil, groove rebels, ascii.disko, delon & dalcan, tom wax,… 2007 will go down in history as a year of many happenings and the release of envy my music records 2nd single will definitely crystallise itself to be an outstanding one. marathon by bastian heerhorst is already one of the best tracks to hit the scene this autumn. the remixes by internationally acclaimed superproducer tocadisco and the emm records in-house wonder butch interpret >marathon< in their very own typical prime-time sound and complete this release to plainly be the must-have record for the club-season. definitely the floor-filler and hit of late 2007!

cloud 9 dance will relaunch combined forces legendary clubhouse label walnut records with an impressive first release from producers duo h.i.p. since their commercial adventure with dj alpha life goes on, they finally started a new project with a slammin first release that has written anthem all over it. opposites is a fresh mix between clubhouse and electro which doesnt sound like all those other d. ramirez copycats. with a 3/4 beat, its got the same vibe like t.raumschmieres monster truck driver & hypetraxxs the darkside. the galloping beats together withthe deep & dark vocal makes this track an absolute winner.

after several works on sound division, southern fried and remixes for some of the most popular producers worldwide such as david guetta, bob sinclair or erick morillo he presents his first ep on our own imprint with this massive 4 happy people ep. his original mix is all about bass. distorted, mean and loud and actually a pleasure to use for kicking serious ass. the tea mix is more driving and fluently building up with steady percussions and filterings on the bassline while the alex delia remix focusses on minimal aspects and fragments perfectly twisting the tune for the likes of any underground set

lush 7 follow! constructed around a strutting bassline the claps, castanets, rise & cymbal lines interact to great effect. like a fine wine, k drive & ginman give the track time to breathe before slowly turning the screw. increasing the tension and expanding the room in a wash of metallic reverb! simplicity is the key as each sound cuts like a warm knife through the butter. reactions are huge on both killer tracks so have it large!

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

compared to their almost simultaneously released 12 ep >innocent robot< / >night of tvarok< (treibstoff 73), animaltek celebrate a more reduced interaction of rhythmic signals and systems on >karma loops<. animaltek describe this sensation as >a powerful effort of self-expression through rhythm, sound and harmony.<

versatile are delighted with this new addition to their catalogue. a release made in belgium by detroit techno prodigy: fabrice lig. as you will notice on this new ep, the first white guys to have signed a record on kevin saundersons legendary label kms, remains faithful to the sound of motor city. a light and esoteric melody sets the tone of >x-slaves who changed the world<. the tight clap and kick drum leave room for the modulating bass. a voice similar to martin luther kings, repeats names of cities in which slavery prevailed, whilst pads stimulate the mental trip. the x slave is taken by the dancefloor, changing the world as he dances to the beat. “funk la termite” is elastic funk. binary rhythms, off-beat chords which keep the groove balanced whilst the hi-hats, like little insects, dig away at the beat, building it and deconstructing it as the sounds evolve. >the round of funky bugs< continues in the vein of creepy crawlies. here, the synths are more upfront, their acidic layering create a mixture of harmonic loops which will set all hells lose. the melodies and use of pads stay anchored in the detroit tradition, but this production fits just as well with all the current electro releases worthy of any good dancefloor

ganz und gar tolle doppelspitze auf speicher 55. weltstar gui boratto klöppelt gewohnt groovy, brasilianisch los. auf der anderen seite überrascht uns scsi 9 mit einem seiner besten techno tracks. groove, struktur, beat, sound, emofaktor, hier stimmt einfach alles. hit

pure underground minimal techno sound

herrliche selection aus den endsiebzigern, mitachtzigerndie vor space disco & purem funk nur so strotzen!! als ob gerade von little louie vega gespielt... der zweite track (b1)glückskugel kommt sehr schön breakig und mit einem schuss 2007er acid madness daher.

two originals by formidable force and and a remix of each one by bon johnson and one by kink. can you feel it is a house pounder with quite a few unexpected quirks and vocal drops sounding like a sample from gwen mccraes funky sensation. 80s style influences have been time warped into oblivionvia a disco ball. zip jumper is a 4 on the floor masher filled with bleeps and bloops and assorted funked effects. already getting plays from hipp e, asad rizvi, sound republic and johnny fiasco

welcome along to the first release on persistencebit records by kikko solaris & salvo dueb. the guys from catania (sicily) exchange their beats and join forces for a new sound which finds its roots in funky, minimal, deep and electro

a side feat tom real vs the rogue element, winners of best remixer (both) and best producer (the rogue element) at the 2007 breakspoll awards as well as nominee for best producer in dj mags best of british poll (the rogue). this duo are on fire and this is their first single of 2007.flip for klaus hills gurn face. over the years klaus hill has been pivotal in shaping the face of breaks. as 2 sinners he has delivered tracks for labels such as distinctive, botchit, tcr and ministry of sound alongside remixing unkle, dj sneak, the beastie boys and more. gurn face is this mans tribute to his favourite state of mind

this three track instrumental project features the slick, cutting edge grooves of jive assing, as well as a gorgeous musical painting in the form of manzana de mi vida. showcasing glenn undergrounds signature sound & stylings, jive assing (main mix) is a flawless dancefloor groove, and is essentially a musical journey into the moody mind of cvo. surely to send dancefloor pundits into a frenzy, the dub version boasts a slightly tweaked sonic experience, with thicker percussive layers, a tougher kick and one bad ass bassline as only gu can deliver. the lush manzana de mi vida is a fine lesson in avant garde dance music, featuring some fine work (as usual) on keyboards, creating a melodious & profound atmosphere that will set your soul (and soles) on fire!

splittr is the meeting of minds of martijn ten velden and mark yardley (from stanton warriors fame), two of modern dance musics biggest production heavyweights. as splittr, mark and martijn combine their collective skills and tastes to produce a dance/rock hybrid (new order infected guitar part) and a very fresh take on electronic music. in fact they started the project to give them the opportunity to split awayfrom any preconceptions people may have of them and any musical restrictions dance music genres can create. their first release, >all alone< (which sees mark take on vocal duties), has already created an underground buzz, with pete tong playing it on almost a weekly basis from the start of the year, regular spot plays on radio1 and major support coming from the likes of roger sanchez and deep dish. splittr are clearly set to take their sound worldwide

new label by buzz goree (underground resistance). >oh oh oh< and >first mission< are deep technotracks with a strong influence by the sound of chicago and detroit, delivered by the xenogears, a duo of italian producers (marieu and lucretio) that use the soulpower and analogue fat beats to attack the dancefloor. lucretios solo track is a piece of fine funky minimalistic techno. eduardo de la calles (spain) >tribute to ramtha< is a monster electrotrack, characterized by killers 808 drums and a solo of vintage analogue synthesizers

pascal feos succeeds with his debut 12 on karmarouge in a matchless manner a fusion of extremely wooden and dry beats with well fed warm sounds, it’s a hard but genial mixture of functionality and deepness. from the essence of minimalistic sound

palette is proud to debut its newest artist, dave hughes. the irish born, la-resident sound engineer finally let palette in on his music making secrets. the result is daves debut ep >lets do it<. a three tracker showcasing what is to come from this visionary artist. >lets do it< kicks the ep off with a strong rhythmic solid base which alone would be enough to solidify it as a stand out track, but without delay the song quickly develops into a musical journey with rhythmic chords at the end providing the icing on the cake. the flip side provides two more tracks of the same calibre, >it all deepends< and >realization< showcase great sound design skills and a message about our own humanity. take in to account the heavy subs and intricate drum programming and you have what we feel to be a classic palette recordings single

>maia< is a pure electro smasher and will include a ramon zenker remix (hardfloor). the track is already gaining support from the likes of king unique, deepgroove, with d.ramirez licensing it for his new ministry of sound compilation

an incredible full album from dinosaur l the legendary new york dancefloor project of arthur russell! the groups a punky, funky, chunky amalgam of bass thumping, guitar riffing, keyboard filling, and sax honking all very much in the spirit of russells best quirky club work of the time, but with the added sound here of a more expanded approach one that takes the tunes in a whole new territory than the more famous 12 inch singles! the tracks on the set are simply numbered 1, 2, 3, and so on and come across almost as free jamming instrumentals! totally great stuff as experimental as it is funky!

after a short break highland beats is back with a new sound and a new start. release number 40 coincides with highland beats 12 and a half year anniversary. supernova jan liefhebber and studio partner nimbuz get back down to basics with solid driving track. the minimalistic deep bass lines amalgamate with an spontaneous melody at the steady pace of 130 bpm

alfred azzetto is back on purple music with the feel good massive anthem colors, which was one of the most played promo cuts at this year winter music conference. interestingly djs all the time played an acapella over it but also the instrumental melody sounds great. part one includes the walterino main mix is a fierce production featuring classic strings and wicked keys that give the track a modern disco sound, while the piano mix is on a deeper edge, with a great piano hook added (that is reminiscent of bas noir my love is magic). part two includes a full vocal mix & the remixes from dj fopp & christian hornbostel, which will be out end of october. it was worth to wait some months for the release of this tune!

the next top tunes from davis and may !!! this installment comes around with three must have tracks for future sound lovers. ansame someto is a hypnotic dancefloor star with his ruff drums and the gorgeous melody. on the flipside parplez starts to get a little deeper and infects u with the clacking and moving sounds from out of this world. a perfect end and rounding of this masterpiece is ligo greelon wich catches the crowds attention with the breathtaking melody maripozas third strike!!

zimmermann alias jens zimmermann aka tyrell corp. aka dj gargamel is constantly changing yet always the same: a damn good producer. from his early days when he whipped up tracks by culture beats and out of the ordinary into dancey frenzy with well-known german producer torsten fenslau, to his drum n bass-fuelled moments of technical innovation, jens has never been one to stand still. constantly reinventing hilmself, he always managed to keep things ticking, making him one of the most sought-after producers in the late eighties and throughout the nineties. now, in 2007, after years of noise research and sound sculpting, he is re-emerging as zimmermann which stands for >new german minimal sound<. after three much-celebrated releases, aptly called zimmermann #1, #2 and #3 on room recordings, which were severely hyped up by germany s house fraternity, and releases and remixes on boxersport, k2,and hifreaks as well as on harthouse mannheim, the future is looking bright for jens

systematic welcomes olivier gregoire. he comes from namur in belgium and has already releases on turbo, king kong and his own imprint vice versa. the three tracks represent the typical systematic sound, added with new innovative sounds and discoesque rhythms